Category: Glamrock

Few songs capture the wild, electrifying energy of early 1970s glam rock quite like David Bowie’s “Suffragette City.” Released in 1972 as part of the The Rise and Fall of Ziggy Stardust and the Spiders from Mars era, the track is a relentless surge of guitar riffs, theatrical vocals, and a sense of kinetic chaos…

“Rock And Roll, Part 2” is one of those recordings that feels less like a song and more like an event. From the moment the beat locks in, it announces itself with a blunt, almost primitive certainty, a sound built to travel across rooms, arenas, and decades. Credited to Gary Glitter and released in 1972,…

Eddie Money’s “Take Me Home Tonight,” released in 1986, is a quintessential anthem of 1980s rock-pop, combining infectious energy, soaring choruses, and a nostalgic sensibility that continues to resonate with fans decades later. From the first electrifying notes of the guitar and synth-driven instrumentation to Money’s signature gravelly yet emotive vocal delivery, the song captures…

In 1971, David Bowie released Life on Mars?, a song that would go on to become one of the defining masterpieces of his career and a landmark of glam rock. Emerging as part of the iconic Hunky Dory album, this track is equal parts surrealist commentary, theatrical pop, and emotional catharsis, showcasing Bowie’s ability to…

Guns N’ Roses’ “November Rain” isn’t just a song—it’s a full-fledged epic. Released in 1991 on Use Your Illusion I, it marked a dramatic departure from the band’s raw, punk-infused beginnings, revealing their ambitions to blend hard rock with sweeping orchestration, cinematic arrangements, and emotional storytelling. Clocking in at nearly nine minutes, “November Rain” has…

There’s a kind of electricity that only the 1970s could produce—a decade that danced between excess and rebellion, between glitter and grime. And right in the middle of that colorful chaos stood Sweet, one of glam rock’s most infectious and underappreciated forces. While they’re often remembered for bubblegum-rock anthems like “Little Willy” and “Ballroom Blitz,”…

Alice Cooper’s No More Mr. Nice Guy, released in 1973 on the album Billion Dollar Babies, is one of the quintessential anthems of rock rebellion. The song perfectly encapsulates Cooper’s persona: theatrical, provocative, and unapologetically confrontational. With its crunchy guitar riffs, driving rhythm, and biting lyrics, the track stands as both a narrative of personal…

Poison’s Unskinny Bop, released in 1990 as part of their Flesh & Blood album, is a song that embodies the quintessential spirit of late ’80s and early ’90s hair metal: brash, energetic, and unapologetically fun. From the moment the opening guitar riff hits, it’s clear that this is not a song meant to be dissected…

Synths shimmered, MTV roared, and hairspray ruled the airwaves—then came Eddie Money, the blue-collar rocker from Long Island, reminding everyone that heart and hooks still mattered. “Take Me Home Tonight,” released in 1986, wasn’t just another pop-rock anthem of the Reagan decade. It was a comeback, a reinvention, and a love letter to rock’s roots.…

No song captures the spirit of perseverance, self-discovery, and hair-sprayed glory of the 1980s quite like Whitesnake’s “Here I Go Again.” It’s more than a rock anthem — it’s a statement of survival, a melodic battle cry for anyone who’s ever stood at the crossroads of heartbreak and redemption. From the moment David Coverdale’s soulful…

“You Give Love A Bad Name” by Bon Jovi is the kind of song that practically defined an era. Released in 1986 as the lead single from Slippery When Wet, it quickly became a massive hit, propelling Bon Jovi to superstardom and solidifying their reputation as masters of the arena rock anthem. The song opens…

“Ballroom Blitz” stands as one of the most electrifying and enduring anthems of the glam rock era, a song that captures the raw energy and rebellious spirit of early 1970s rock. Performed by the British band Sweet, the track embodies the perfect fusion of catchy melodies, thunderous riffs, and theatrical flair that helped define a…

When “I Believe in a Thing Called Love” by The Darkness first hit airwaves in 2003, it felt like a lightning bolt out of a neon-lit, spandex-clad sky. A bold and unabashed throwback to the over-the-top glitz of 1980s glam metal, the song was simultaneously a parody, a tribute, and a legitimate rock anthem in…

Billy Idol’s “White Wedding” didn’t just roar out of the speakers—it strutted, snarled, and smirked. Released in 1982, this genre-defying anthem served as the defining moment that established Idol as more than just a sneering face from the punk scene—it made him a new kind of pop star, one with leather pants, bleached hair, a…

KISS didn’t just write “Rock and Roll All Nite”; they practically built their empire on it. It’s more than just a song—it’s a manifesto, a credo, and an open invitation to the party of the century that never ends. Released in 1975 on the album Dressed to Kill, and later reissued in a live version…

“Livin’ on a Prayer” by Bon Jovi is the sound of resilience wrapped in a stadium-sized scream. Released in late 1986, the song roared out of radios and into the collective bloodstream of a generation trying to hang on, push forward, and make something out of the struggle. It was more than a chart-topping single;…

Rod Stewart’s “Maggie May,” the unexpected breakthrough hit from his 1971 album Every Picture Tells a Story, is more than just a nostalgic folk-rock ballad; it’s a poignant and relatable exploration of youthful indiscretion, the bittersweet pang of first love lost, and the reflective wisdom that comes with age. With its intimate acoustic guitar intro,…

T. Rex’s “Bang a Gong (Get It On),” a shimmering anthem of 1971, is more than just a catchy rock and roll tune; it’s a quintessential glam rock statement, a celebration of hedonism, and a potent distillation of Marc Bolan’s charismatic androgyny and infectious musicality. With its driving, bluesy riff, its playful and suggestive lyrics,…