“The Best Things in Life Are Free”: Barrett Strong’s ‘Money (That’s What I Want)’ and the Sound That Built Motown
In 1959, before Motown became a cultural empire, before The Supremes ruled the charts, before Marvin Gaye and Stevie Wonder defined a generation, a sharp, pounding piano riff exploded out of a modest Detroit studio and announced something new. It wasn’t lush. It wasn’t polished. It wasn’t sophisticated. It was raw, direct, and hungry. The…